Skip to main content

Jelenometry Exhibition Opening and Lecture, Ljubljana, 4th & 5th October.

Jelenometry is a collaborative research exhibition produced by the Slovene collective DDR (Domestic Research Society) and cultural theorist Alexei Monroe, author of the book Interrogation Machine (MIT Press 2005). Monroe is currently researching a book project based on the cultural history of the Stag as a symbol. The exhibition title is a neologism based on the Slovene word for the Stag - jelen.

The stag as a symbol is omnipresent in contemporary and urban culture, yet remains elusive and unexplored. One of the objectives of Jelenometry is to test whether the »symbolic Stag« can withstand the intensive repetition and abuse it is subject to in visual culture and other fields.

Jelenometry is the result of one year of joint research conducted via the internet, specialist publications and field visits. Meetings and research trips took place in various locations including Ljubljana, Trbovlje, Rogaska Slatina, Kocevje, Vitanje and Berlin.

The project represents a hunt for the symbolic Stag, which has generated its own specialist vocabulary and an in-depth analysis conducted on the borders of natural science, humanities and art.

The exhibition includes two film presentations exploring and analysing Stag imagery and is accompanied by an illustrated publication with texts by DDR and Alexei Monroe.

The opening is at 5pm on Thursday 4th October at Kabinet, Ljubljana. Kabinet is accessed via the SKUC gallery on Stari Trg 21. We invite you to join us for wine, schnapps and chestnuts. Alexei Monroe will give a lecture analysing the symbolic Stag at SKUC on Friday 5th October at 8.30pm, Jagermeister will be served. All welcome.

Further details on the project (primarily in Slovene) here.

Comments

Popular posts from this blog

Talk at Ausstellung Laibach Kunst, Łódź, 23rd June

I will be giving a talk on ‘Laibach Kunst and the Art of Total Non-Alignment’at the exhibition on June 23 rd at 6pm. Codex Europa and Wiktor Skok will DJ in an industrial vein afterwards. This Polish site has a short film which has a clip from the opening performance , similar to the one given at I.C.R.N.’s RoTr event in 2006. Read more here about this major exhibition, which presents the most comprehensive overview of Laibach Kunst works yet staged.

4th Annual Mark Fisher Memorial Lecture 2021 recording

Thanks to all who watched the event on Friday, we all enjoyed it and were really pleased with the response, we were only sorry not to have more time for questions and discussion. Ludmilla Andrews did a great job of executing the film at great speed in lockdown conditions. My commentary for the film was written in haste over the New Year and recorded in the following week. It's a snapshot of the transition from 2020 to 2021 through the prism of Test Dept's work and Fisher's response to it. 

Doctor Who and the Death Factory at Noise=Noise, June 8th.

Montage by Vera Bremerton.  Next Friday I'll give an experimental presentation at Noise=Noise on the strange parallels between the sonic and conceptual dystopianism of Doctor Who and first generation British industrial music. Dr. Who exposed mass audiences (often very young) to a combination of experimental electronic sound and dystopian themes, a combination that could also summarise industrial music. Dr. Who frequently presented post-apocalyptic scenarios of mutation, mind control and para-militarised societies and, in the process, at least implicitly criticised actual political and technological developments of the time, particularly those associated with the Cold War arms race. Due to budgetary constraints these visionary scenarios were often realised in a rudimentary ad hoc fashion; an approach that also applies to industrial. The early industrial groups highlighted the most serious social and political themes using very primitive electronic equipment, creating a kind of